ISTVAN PINTER

At the age of two, Istvan wanted to pick up the camera. His father, also named Istvan, discouraged him. Young Istvan persisted. His father gave in, sort of. Istvan Sr., being the more cunning of the pair, removed the camera from its case, closed the case and gave it to his son. This pacified young Istvan for some time, as it was years later when he actually picked up a camera and took a picture. When he did he was hooked for life. In 1982, Istvan convinced his father to buy him his own camera. With the camera came the stern warning that school came first and photography second. Yah, yah, sure, sure, gimme the camera. Istvan did manage to graduate from high school even though he spent a great deal of time in the darkroom. In university, he discovered the photography club and spent a lot of time there. A number of years later an astute friend observed that many of the regulars at photosoc graduated from university with a major in photosoc and a minor in their actual degree. After university came travel and then it was time to get some training in his chosen career path. Istvan then went to Langara College (then Vancouver Community College, Langara Campus) and studied Professional Photography. Upon graduating he found his true calling as a scanner operator/photo retoucher. When he is not busy raising his two children, renovating his house or restoring Studebaker's, he can be found out there exploring the world with his camera. The photographs on this website represent a selection of images made upon a visit to the Loucks farm in Aldergrove, B.C. All the photographs were taken over a very short period of time as I explored the many derelict Studebakers on the farm. I chose to use Kodak High Speed (HIE) Infrared Film because of its ability to give a subject an otherworldly feel. A Wratten #87 visually opaque filter was fitted within the camera's mirror box. Thus only "invisible" light exposed the film. The film was processed using Kodak TMax RS developer. The negatives were subsequently scanned on a Linotype-Hell Tango Drum Scanner. Tonal adjustments and burning and dodging were performed in Adobe Photoshop. Digital files were then imaged onto photographic paper with a Cymbolic Sciences Lightjet 5000 series printer. The prints were drymounted and matted with archival matte board and framed in anodized aluminum frames.

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